COMING SOON 08.01.26

Within the Endless Dark, a fallen star is worshipped as a goddess within a gilded cage. Fifty-three years ago, the Resh’Agar—the city’s god of war—brought her from the Surface and named her his Sokâr.

She was meant to be his sacred consort.

The Council called her an ornament. The People called her a heretic.

Now, she must choose.

Topple this blood-soaked empire.

Or rise above it.

🌶️🌶️🌶️

In this story, you will step from the Emerald Moores into Krystopolis. If you have read Breath of Starlight, you have already seen that Elendria can be a brutal place. There are creatures, monsters, and magic here that show little mercy to the weak. Strength is valued above all else, and those who cannot survive are often left behind.

Krystopolis, however, is darker still.

Here, society is governed by the Doctrine—a rigid system that does not value identity, humanity, or agency. In this city, a person’s worth is measured by their Role: a preordained purpose assigned by the state.

Weakness is not tolerated in any form. Children born with disabilities or malformations are discarded. Though this does not occur on page, it is referenced and discussed throughout the story. Confronting and dismantling these beliefs becomes one of the central struggles our heroes face.

Krystopolis is a society built on ritual, spectacle, and blood magic. Within these pages there are scenes of violence, murder, and assassination. There are also instances of ritualized intimacy involving magical obligation and power imbalance. Though such rituals are considered sacred and culturally acceptable within Krystopolis, they often result in complex trauma that follows the characters throughout the story.

As in Breath of Starlight, this book also contains scenes of open-door intimacy centered on safety, consent, and healing. These moments reflect the Nine Rivers Odyssey’s devotional approach to intimacy, where connection, emotion, and reverence are emphasized over explicit mechanics.

Within the Doctrine, young girls may be chosen and raised for future reproductive roles. This practice is referenced as part of the oppressive structure of Krystopolis. However, no minors participate in any intimate or sexual acts within the narrative. All individuals participating in any intimate or ritual scenes in this series are adults.

Though Auryn’s formal title within the Doctrine is Child of the Void, the title is ceremonial rather than literal. Auryn is an adult woman, as established in Breath of Starlight and throughout the narrative. Her small stature—often used by others to demean or diminish her—does not define her womanhood.

Auryn is also sometimes described by others as “colorless,” an insult referencing her pale skin and silver hair. Within Krystopolis, these traits are considered unnatural and stand in direct opposition to the city’s established standards of beauty. The use of this language reflects the prejudice of the society she lives within. Such language is presented as part of the worldbuilding and does not represent the author’s beliefs or values.

Many of the cruelties and institutions described here are part of the world our characters must endure. Over the course of the story, these same injustices become the very things our heroes choose to stand against.

If you are sensitive to any of these topics, please take care in moving forward with the narrative.

Enter with clear eyes, and walk beside our heroes as they challenge the world that shaped them.

Author: Ravenna Vale
Series: Series
Genres: Epic Fantasy Romance, Dark Fantasy
Publisher: Voices of Elendria by Ravenna Vale
Publication Year: 2026